Jussie Smollett has delivered a heartfelt comedy-drama full of ridiculously good-looking people writes Queerguru’s Ris Fatah

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    B Boy Blues is an impressive directorial debut by Jussie Smollett. His film version of James Earl Hardy’s iconic 1994 novel is about the romance between a couple of black men in New York. Class and culture clash when a college-educated magazine journalist from Brooklyn and a homeboy bike messenger from Harlem fall … Continue reading



Queerguru’s Ris Fatah reviews ONCE A YEAR ON BLACKPOOL SANDS a gritty queer English comedy drama

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    Once A Year On Blackpool Sands is a gritty queer comedy-drama, set in the North of England in the early 1950’s. Based on a true story, director Karlton Parris’s heart-warming film echoes the tradition of ‘kitchen sink’ dramas from that period. This film is based on his play of the same title which … Continue reading



Queerguru’s Ris Fatah reviews the restored version of I’ve Heard The Mermaids Singing

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  I’ve Heard The Mermaids Singing is a remastered 1987 Canadian comedy-drama that is being re-released in the US this week. It was the first English-language Canadian feature film to win an award at the Cannes Film Festival, and is both a queer and indie cinema cult classic. It’s considered to be one of the … Continue reading



Queerguru’s Richard Gilles film review reveals that this was NOT Nicolas Maury’s Best Part

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  Queer actor and filmmaker Nicolas Maury was discovered internationally thanks to his role as an extroverted assistant in Call My Agent, the infamous series based in Paris about actors’  frantic agents. My Best Part is his directorial debut and he also plays the main lead, an openly gay, oversensitive, troubled actor reaching his 40s, … Continue reading



Radha Blank’s highly entertaining ‘The Forty-Year-Old- Version’ reviewed by Queerguru’s Janet Prolman

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  “The Forty-Year-Old- Version“ is a highly entertaining film written, directed by, and starring Radha Blank. The title, a play on words (remember “The 40-Year-Old-Virgin?”), signals that despite its heavy subtext of the sexism, racism, and ageism in the theater world, the tone and delivery are not without humor and a bit of spoofing, The … Continue reading



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