Much is said about the reduction globally in the number of queer bars and clubs, and whilst that is true – for the various reasons of which we are all aware – queer art, film, theatre and performance is thriving in an unprecedented manner. London remains a world leader in queer culture with both large institutions and smaller grassroots organisations supporting and sharing our stories. One such concern to keep an eye on is Kkweer Arts, (@kkweerarts) a non-profit founded by artist Kevin Kane, dedicated to amplifying queer artists. Kevin says “In a world increasingly divided, it’s imperative that we not only advocate for queer visibility but also emphasise the importance of queer joy”
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Kkweer Arts’ latest offering is Ultraviolet, a commanding group show curated by art industry veteran Gemma Rolls-Bentley and Ell Pennick, founder and director of Guts Gallery. Ultraviolet features work from 17 established and up-and-coming queer artists including the iconic Maggi Hambling. The exhibition dives into the intricate world of coded language, symbols and gestures nestled within queer communities. The result is a striking, confident collection of work spread across different media, held together by the thoughtful presentations of queer identity. Highlights for me include Dale Lewis’ The Invisible Man, a deeply personal, intricate comment on ageing as a single gay man. Sarah-Joy Ford’s beautifully embroidered/printed quilt, Dykes for Trans Rights is another high point as is Lulu Bennett’s genius Samantha Pepys and the Biological Lie and Kevin Kane’s thought-provoking Amazing Grace. Olivia Sterling’s French Noises (Oo La La) will make you smile. Too many other good works to mention here, so, for a visual queer feast, head on down to Ultraviolet whilst you can.
Ultraviolet is on at 15 Bateman Street, London W1D 3AQ until 15th July
Queerguru’s Contributing Editor Ris Fatah is a successful fashion/luxury business consultant (when he can be bothered) who divides and wastes his time between London and Ibiza. He is a lover of all things queer, feminist, and human rights in general. @ris.fatah
Labels: 2024, Kevin Kane, KKweer Arts, London, review, Ris Fatah, Ultra Violet
