Pierre Le Gall, won the inaugural Queer Palm Revelation Prize  @ CANNES for his excellent debut Flesh and Fuel

As the Cannes Film Festival shuts down its screens after another year, there are the usual rumblings about its relevance for the film industry and beyond.  The ongoing debate is between those who view it as the essential “cathedral” of global cinema and critics who see it as an insular, elitist “bubble” struggling to adapt to modern industry shifts. Panic, not we are not going to comment on this as we don’t feel that qualified to make any sort of judgement, but we will say as far as queer films are concerned, the one area we do have a level of expertise, is that this year the offerings were as excellent as ever, if not better.
The Hollywood Reporter went as far as to say LGBTQ+ cinema ruled Cannes this year. The biggest and hottest movies of the festival focused on queer characters, themes, or perspectives.  Who are we to argue with that?
There were new movies from the very best queer filmmakers such as Pedro Almodovar (Bitter Christmas), Lukas Dhont (whose 4th feature ‘Coward’ picked up best actor for his two leads)  and Ira Sachs ‘ The Man I Love starring Rami Malek laid claim to getting the longest standing ovation. of the week.  A ‘new’ face was that of ‘influencer’ Jordan Firstman who entered the indie film scene with an irrevent comedy called Club Kid. 

It was, however, the debut of Pierre Le Gall, a French filmmaker and screenwriter, whose ‘Flesh and Fuel that both excited and intrigued us most.  Set in the world of long-distance truck drivers who spend all their time on the motorways of France and Europe.  The few truckers who are gay know where the odd cruising areas are located en route, and it’s at one of these that Étienne (Alexis Manenti), gets interrupted twice by the cops and hustles back to his cab with his anonymous pick up (played by Julian Świeżewski)

NO SPOILERS HERE, but you can get the sense from the trailer below that the story develops into something that neither the two men, nor we. can imagine. It’s a delightful, nuanced film with its plot outside of the norm.  It came as no surprise to us that after the film had its world premiere at the Critics’ Week section of the Festival, it won the inaugural Queer Palm Revelation Prize for a first-time director and was nominated for the Caméra d’Or.   Watch This Space

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