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Queerguru’s Ris Fatah reviews ONCE A YEAR ON BLACKPOOL SANDS a gritty queer English comedy drama

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    Once A Year On Blackpool Sands is a gritty queer comedy-drama, set in the North of England in the early 1950’s. Based on a true story, director Karlton Parris’s heart-warming film echoes the tradition of ‘kitchen sink’ dramas from that period. This film is based on his play of the same title which … Continue reading



Queerguru’s Ris Fatah reviews ROSIE a warm-hearted Canadian tale about love in chosen families

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Rosie is a warm-hearted Canadian tale about love in chosen families. Set in 1980s Montreal, Rosie (Keris Hope Hill) is a young orphaned child who, following her mother’s death, is sent to live with her only known relative, artist Aunt Frederique (Melanie Bray). Frederique, however, lives a very chaotic, hand-to-mouth existence and can barely look … Continue reading



Queerguru’s Ris Fatah reviews RUNS IN THE FAMILY a queer comedy from South Africa by Ian Gabriel and his trans son Gabe

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    Thanks to Nelson Mandela, South Africa has one of the best constitutions and legal rights frameworks for queer people globally. A nation’s queer human rights usually affects the tone of the film-making in that country. For example, queer film-making out of Muslim countries often contains far more angst-ridden themes than films from more … Continue reading



Queerguru’s Ris Fatah reviews SALTBURN with its amazing cast for a twisted account of indulgence that makes for such compulsive viewing

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      Oxford University, 2006. A fresh intake of young students nervously begin their new lives at university. Oliver Quick (Barry Keoghan), an intelligent, but socially awkward young man from Merseyside, is more out of sorts and lost than most. He’s working class, on a scholarship and doesn’t have the existing social networks that … Continue reading



Queerguru’s Ris Fatah reviews SCRAPPER a fine piece of British social realism with rising star Harris Dickinson

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  Scrapper is a gentle new British film debut written and directed by  Charlotte Regan. Twelve-year-old Georgie (bright newcomer Lola Campbell) has recently been orphaned by the death of her single mother. To avoid going into care, she convinces social services and her school that a fake uncle, ‘Winston Churchill’, is looking after her. She … Continue reading



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