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Queerguru’s Jonathan Kemp reviews LaJohn Joseph’s compelling performance in A GENEROUS LOVER

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  A Generous Lover ☆☆☆☆☆ LaJohn Joseph  Camden People’s Theatre, London IMHO, LaJohn Joseph is one of the most compelling performers around so I suggest you hot foot it down to the Camden People’s Theatre to catch this all-too-short rerun of their solo show, “A Generous Lover”, that wowed audiences and critics at Edinburgh Fringe … Continue reading



Queerguru’s JONATHAN KEMP reviews Sean Matthias’s “unmissable play” A PRAYER FOR WINGS

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  A Prayer For Wings  ☆☆☆☆ Written & Directed by Sean Mathias Kings Head Theatre, London Originally written as a commission for “a young actress who wanted a humdinger of a role”, according to Mathias’ programme note, A Prayer For Wings has been revived 35 years later, and retaining a freshness and relevance with its … Continue reading



Queerguru’s Jonathan Kemp reviews The Luncheon part of the Queer Season at London’s Tristan Bates Theatre

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  The Luncheon ☆☆☆ By Kace Monney and Luis Amalia Curated by Otherland Theatre Tristan Bates Theatre “Do not come looking for answers”, the blurb warns. The performances are engaging and flawless, the two actors engaging with each other with vitality and energy and a great familiarity. It’s unclear how scripted this is, as there’s … Continue reading



Queerguru’s Jonathan Kemp reviews Vicky Moran’s play about LGBTQ homelesness

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  No Sweat ☆☆☆☆ Pleasance Theatre, London With homelessness on the rise in the UK, and 24% of young homeless people identifying as LGBTQ+, Vicky Moran’s important new play is very timely, and very good. Using verbatim interview clips and based on real stories from the playwright’s interviews with homeless queer youth, it uncovers the … Continue reading



Queerguru’s Jonathan Kemp waxes lyrically about Gothic Opera’s new production of BLUEBEARD’S CASTLE

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  Bluebeard’s Castle by Béla Bartok Porchester Hall, London, July 8th-10th ☆☆☆☆ In mid-March 2020 – which feels now like eons ago – I waxed lyrical about a certain dancer, Carmine de Amicis, in his role as Jokanaan in a dance-theatre adaptation of Wilde’s Salomé . Then Covid19 struck and a hurdle-track of lockdowns prevented … Continue reading



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