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Queerguru’s Ris Fatah reviews STUDIO ONE FOREVER the story of the infamous LA gay club with a racist/sexist door policy

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    Studio One Forever is a documentary about the infamous Studio One nightclub in West Hollywood, known for its racist and sexist door policies as much as anything else. Launched in 1974, the club ran for 19 years until 1993. Why Studio One decided to have racist and sexist door policies is not made … Continue reading



Queerguru’s Ris Fatah reviews ‘Aristotle and Dante Discover The Secrets of The Universe’ that opened OUTFEST with such a bang

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    El Paso, Texas, summer 1987. The long hot summer is endless for Mexican-American Aristotle (an excellent Max Pelayo), a handsome but awkward fifteen-year-old loner with no real interests. He keeps himself to himself and feels very different from his fellow classmates, not having any interest in the things they are inspired by. Homelife … Continue reading



Queerguru’s Ris Fatah reviews LOVE JAMIE profiling the life and work of incarcerated 64-year-old Mexican-American trans-woman artist Jamie Diaz,

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    Love Jamie is a heartfelt documentary short, profiling the life and work of incarcerated 64-year-old Mexican-American trans-woman artist Jamie Diaz, and her close relationship with pen-pal Gabriel Joffe. We follow the pair as they prepare for Diaz’s first solo art exhibition, ‘Even Flowers Bleed’ shown at Daniel Cooney Fine Art in New York. … Continue reading



New Work : JUNE LAM multidisciplinary artist, trans man, and queer community organizer @VSSL, London

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    London’s Deptford art gallery VSSL Studio continues its FACET programme dedicated to the exploration and celebration of contemporary queer art and culture with a selection of new work from London-based artist June Lam.(@assignedfagatbirth) For this exhibition, Lam has created a series of collages. Collage has a rich history in queer aesthetics and has … Continue reading



Queerguru’s Ris Fatah reviews WHAM! an affectionate profile of one of the most successful pop acts of the 1980s.

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  The UK at the beginning of the 1980s was a highly-charged environment. Thatcher’s brutal economic policies, high youth unemployment, the urban riots of the summer of 1981, and very politicized new wave and Two-Tone music scenes fuelled a tense atmosphere.  George Michael and Andrew Ridgeley were best friends, having met at school in 1975 … Continue reading



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