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Queerguru’s Ris Fatah reviews BRINGING HIM BACK a new queer Spanish psycho-drama streaming online

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  Bringing Him Back is an intense yet gentle psycho-drama about family, set in the Spanish countryside outside Barcelona. Following his mother’s death, Moi (Ricardo Gomez) travels with his boyfriend, post-grad student Biel (Eneko Sagardoy), back to his mother’s rural house. His sister Mia (Bruna Cusi) has already returned to the house and the three … Continue reading



Queerguru reviews MAILMAN : a musical, black comedy & cute coming out story

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  Usually, when movies are titled The Postman or The Mailman they turn out to be a shlocky horror B-Movie  Maybe it’s something about the uniform?  Who knows?   However, The Mailman, written, directed, and starring Joseph Baken is not that at all but actually a musical, a black comedy and a very cute coming-out story.  This … Continue reading



Queerguru’s Ris Fatah reviews COALESCE a realistic look at contemporary life for the young in today’s Cambodia

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  Cambodia is a very fast developing country in total mutation. After the devastating civil war in the 1970s, Cambodia – located between Thailand and Vietnam – has now experienced rapid and sustained economic growth for 20 years (more than 7% pa on average since 2000). This growth mainly benefits urban areas, causing an exodus … Continue reading



Queerguru’s Ris Fatah reviews HIPBEAT: the story of a political activist looking for love in queer Berlin

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  Berlin has been a haven and mecca for queers from all over the world for over 100 years now. By 1925 there were already over 80 LGBTQ+ venues in the city although many closed during the years of Nazi rule. Post 1945 however Berlin regained its queer crown. Samuel Kay Forrest’s coming-of-age drama Hipbeat … Continue reading



Longing Gazes : Queerguru’s Janet Prolman reviews Rebecca Hall’s brilliant directorial debut film PASSING

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  Rebecca Hall’s brilliant directorial debut “Passing” is the first film adapted from Nella Larsen’s groundbreaking novel of 1929 and is currently available on Netflix. Ostensibly about passing for “white” racially, both novel and film delve into issues of identity, sexuality, and repression: passing to accommodate societal norms and expectations. Irene Redfield’s (Tessa Thompson) carefully … Continue reading



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