Tag: review
Queerguru’s Andrew Hebden reviews FRANKIE GOES TO BOLLYWOOD a magical musical at London’s Southbank Centre
Frankie Goes to Bollywood Southbank Centre, London Fascist anti-immigrant riots are breaking out across the UK. Now is the time for Queerguru to be out celebrating the glorious, rich and beautiful culture that migration has given these islands. Starting with this sensually overloading, vibrant and slightly meta musical fairytale Frankie Goes to…
Queerguru’s Robert Malcolm reviews Darby James’s award winning LITTLE SQUIRT that he is now performing at Edinburgh Festival Fringe
Little Squirt Eschewing the porny “Spunk Daddy” for a more apt and user friendly title, “Little Squirt”, up and coming queer performer Darby James brings his award winning Melbourne cabaret about sperm donation to Edinburgh. Dressed as a sailor, (Jean Genet’s Querelle?) or a seaman ( get it? ) Darby is already…
Queerguru’s Robert Malcolm reviews the world premiere of TODD ALMOND ‘I’M ALMOST THERE’ at Edinburgh Festival Fringe
I’m Almost There ★★★★ New York writer, musician and performer Todd Almond (Gossip Girl, Law and Order:Special Victims Unit, Girl From the North Country) has chosen the Edinburgh Fringe for the world premiere of his new show, I’m Almost There. Brought to Summerhall by the producers of Fleabag and Baby Reindeer,…
Queerguru’s Jose Mayorga reviews Marco Berger’s ‘The Astronaut Lovers’ the Opening Night Gala Film at Queer Screen Mardi Gras Festival in Sydney
No astronaut will refuse to look at the stars… In this romantic comedy from Argentinian Teddy Award Winner Marco Berger (one of Queerguru’s very favorite queer filmmakers) Javier Orán and Lautaro Bettoni are Pedro and Maxi, friends from childhood reunited years later at a beach house with a group of friends, during a weekend. While…
Queerguru’s Ris Fatah reviews Eddie/Suzy Izzard as Nina Jekyll in a new spin of JEKYLL & HYDE from Hammer Horror
Doctor Jekyll is the latest offering from classic British goth horror/fantasy film makers Hammer Films. Based on the classic 1886 horror novella by Robert Louis Stevenson, director Joe Stevenson adds classic Hammer elements of camp pulp and twisted humour to the twenty-first century reinvention of the enduring tale of duality and the inter-play…
