review
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Queerguru’s Ris Fatah reviews This Bitter Earth, the directorial debut by Billy Porter of Harrison David River’s tense play about a mixed-race queer relationship at the dawn of the Black Lives Matter movement.
This Bitter Earth Soho Theatre, London If you’re in London this month, then a must-see is This Bitter Earth, Billy Porter’s (Pose, Kinky Boots) directorial debut of Harrison David River’s tense play about a mixed-race queer American couple navigating life during the beginning of the Black Lives Matter movement. At Soho’s cute cabaret/theatre…
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‘Queerguru’s Janet Prolman raves about ‘COME SEE ME IN THE GOOD LIGHT an extraordinary doc on ANDREA GIBSON
“Come See Me in the Good Light” is an extraordinary documentary, ably and unobtrusively directed by Ryan White. The film’s subject, well-loved queer spoken word poet Andrea Gibson, has been given a diagnosis of incurable cancer, and with their partner, fellow poet Megan Falley, allows a film crew into their home, treatment visits, and other…
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When he was in Buenos Aires, Queerguru’s Jose Mayorgas got to review THESIS ON A DOMESTICATION
I had the opportunity to watch the film on a rainy Friday night last May at MALBA. The season tickets had sold out, and the house was full. By the end of the projection, several bewildered groups from the audience had gathered in the museum´s lobby to discuss what they had just watched, waiting for…
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Queerguru’s Andrew Hebden reviews the Greek gods in “HEAD FIRST ACROBATS” show GODZ AT THE PEACOCK THEATRE, London
Remember those hot statues of Greek gods you’d sneak glances at in the back of a dusty library book? Well, they’ve been brought to life by Head First Acrobats at the Peacock Theatre, minus the marble and plus a lot of sweat. It’s a gloriously silly circus cabaret that’s basically Cirque du So Gay. The…
