review
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Kareem Tabsch : Review of Broadway’s & JULIET a show of Plot Twists & Pop Hits.
“Oops… She Lived Again: & Juliet Remixes the Bard for the Max Martin Era” The jukebox musical has made a conspicuous comeback on Broadway in recent years, leaning on the catalogs of artists ranging from Michael Jackson and Alanis Morissette to Jimmy Buffett and Neil Diamond—all with varying degrees of artistic cohesion and popular success.…
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Queerguru’s Jose Mayogas reviews Dano García’s ‘MICKEY’ on the eve of its World Premiere at SXSW
“Love is… actions!”. This documentary is based on Mi$$ Mikey diaries. It’s an experimental visual project by writer-director Dano García, co-written by Tonatiuh Israel, photographed by Diego Tenorio, with music by Pablo Horn, and starring Mickey Cundapi Bustamante, a trans multidisciplinary artist who, alongside García, uses play and performance to res-signify the past and inhabit…
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Queerguru’s Dan Desjardins reviews Boy George & Culture Club at the HardRock Live in Hollywood, FLA
On February 18th I gladly filled in for our QueerGuru music editor (Allison Ananis) and made it to the Boy George & Culture Club (2026 Tour) show at the HardRock Live in Hollywood, Fla. This stop was part of a 15-date outing taking place in February/March which will be followed by a Las Vegas residency…
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Queerguru’s Robert Malcolm reviews “Young, Black, and Gifted: Diversity at the Paris Opera”
Classical ballet is rooted in the culture of the past and still carries with it the prejudices of old white European colonialism. Only in recent years have Black dancers begun to gain access to this exclusive world. Even now, traditionalists cling to an all-white cast, arguing for supposed aesthetic purity, homogeneity, and pointing to the technical…
