Circa ☆☆☆☆ Old Red Lion Has the LGBTQ community reached a crisis point? Has the hard won promise of endless sexual freedom begun to conflict with a desire to settle down and lead heteronormative lives? This revival of the 2016 play Circa approaches this dilemma in a deliciously complex way. A cast of five … Continue reading
Lipstick: A Fairy Tale of Modern Iran ☆☆ Omnibus Theatre I really, really wanted to like this. Great, I thought, once I’d read the blurb, a play exploring Iran’s queer subculture, about a boy who transforms every night into a beautiful woman. I was looking forward to it and invited a queer Iranian friend … Continue reading
Gently Down the Stream ☆☆☆☆☆ Park Theatre When a young man takes an older lover, is there always an ulterior motive, or can the reasons be purely romantic, sexual even? This is a question that is raised many times in ‘Gently Down The Stream’. The play is directed by Sean Mathias and written by … Continue reading
Christopher Marlowe’s play EDWARD II written in the 16th Century about the medieval King who was deposed and beheaded is too rarely performed. Which makes this new production at The Globe’s Sam Wanamaker Playhouse in London even more special, particularly as for once the talented lead actor TOM STUART playing the role the gay King is also openly gay.
The play that has just opened to excellent reviews will be followed by second play performed by the same cast and written by Stuart himself and called After Edward.
In a Facetime interview with Queerguru, the disarmingly charming Stuart talked about both the significant importance of Marlowe’s play to our community, and that his own play is based on how he reacted to playing such an intensely complicated figure such as Richard who was persecuted mainly for his sexuality.
P.S. You can read Queerguru’s Jonathan Kemp’s ☆☆☆☆☆ of Edward II here, and look out for our review of After Edward when it opens in London.
Edward II ☆☆☆☆☆ Sam Wanamaker Playhouse, London “All they that love not tobacco & boys are fools”, Christopher Marlowe famously declared, and whilst there’s no tobacco in his play Edward II, there’s plenty of boy-love – and plenty of fools. Nick Bagnall’s production foregrounds the central love triangle of King Edward (Tom Stuart), Gaveston … Continue reading