Kareem Tabsch
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Mary Todd Lincoln is, reimagined and unleashed in the supremely funny OH . MARY! : reviewed by Kareem Tabsch
Brevity, Booze, and the Birth of Camp. In the world of film and television, we’ve grown accustomed to stories that sprawl—series padded beyond necessity to keep audiences tethered to streaming platforms. The stage is hardly immune. Broadway has seen its share of overstuffed productions, indulgent in length if not always in insight. Perhaps that’s why…
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“Virtually Skeptical, Emotionally Moved” AN ARK AT THE SHED : a review by Kareem Tabsch for QUEERGURU
I am the first to admit that I have rarely, if ever, been bowled over by anything in the realm of virtual reality, augmented reality, or the like. The technology itself can be interesting enough, and there have certainly been works that piqued my interest—Traveling While Black being one I found brilliant—but I generally do…
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Kareem Tabsch : Review of Broadway’s & JULIET a show of Plot Twists & Pop Hits.
“Oops… She Lived Again: & Juliet Remixes the Bard for the Max Martin Era” The jukebox musical has made a conspicuous comeback on Broadway in recent years, leaning on the catalogs of artists ranging from Michael Jackson and Alanis Morissette to Jimmy Buffett and Neil Diamond—all with varying degrees of artistic cohesion and popular success.…
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Queer filmmaker KAREEM TABSCH is given a prestigious LOUIE AWARD by the Miami Film Fest to make a doc on ANITA BRYANT
Emmy-nominated queer Miami documentary filmmaker KAREEM TABSCH continues his penchant for capturing some of the many idiosyncratic characters that have been part of the history that has given Florida its rather ‘oddball’ reputation. He is just starting work on his latest film, SAVE OUR CHILDREN, the story of the anti-gay crusader ANITA BRYANT, the…
