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Queerguru’s Jonny Ward reviews Parris is Dreaming @London’s Pleasance Theater

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Parris is Dreaming ☆☆☆☆ The Pleasance Theatre Parris is Burning examines the lives of three women “dismissed, ignored and affected by society” through music, dance, sound effects, clowning, physical theatre and natural dialogue. The show opens with three androgynous stylish performers lip syncing to “I got the music in me” with cropped hair, immaculate makeup, … Continue reading



TOM GOSS: Living his Dream

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Queerguru finally managed to track down Tom Goss the queer indie singer/songwriter who has been performing the most tender ballards for some years now to great acclaim. With seven albums under his belt. and just back from another long and very successful Tour promoting his new music he talked to us about that, and now also happily married, how he really is living his dream,

http://www.tomgossmusic.com

 



Escape from Planet Trash : Queerguru is digging the dirt

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  Escape from Planet Trash  ☆☆☆☆ Pleasance Theater & Sink the Pink Panto season is in full swing and if you fancy something that harks to the traditions but also manages to incorporate a non binary, eco friendly, vegan message (it’s like carrot cake – way better than it sounds) then Escape from Planet Trash … Continue reading



Laurie Lynd and the Truth about Patient Zero

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Queerguru talks with filmmaker LAURIE LYND whose powerful new documentary Killing Patient Zero the story of the AIDS epidemic and the man wrongly accused of starting it. It’s way past time we all know the truth and acknowledge for the heroic role he played.

The film can be viewed very shortly in Canada and hopefully in the US and other parts of the World in 2020.  Keep watching this space  

https://www.facebook.com/killingpatientzero/

 



The Danish Boys – Danish without sugar

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  The Danish Boys collection of short films recently released from NQV Media has an unusual common trait across its diverse characters and circumstances. There is a focus on victimhood without redeeming purpose that is individually irritating and objectionable whilst collectively being oddly compelling. Centered around over familiar gay crucifixion scenes each ode to pain … Continue reading



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